secretfragileskies: Khaled's Ladder

Wednesday, January 25, 2017

Khaled's Ladder

On January 27, Khaled Jarrar set out on an uncommon journey: traveling in a 34-foot RV from San Diego, California, to Juarez, Mexico, crisscrossing and following the U.S.-Mexico border along the way. Jarrar was traveling as part of Culturunners, a project initiated by Edge of Arabia in partnership with Art Jameel, in which artists travel from place to place in order to explore contested boundaries. On the journey the group encountered border patrol agents on both sides of the border, met and worked with locals living near the border, and organized talks at galleries and public spaces. During his time on the road, Jarrar created and installed a new work, Khaled’s Ladder, using material pulled from the border fence. Coming from his home in the West Bank, where the Israeli separation wall shapes daily life and restricts freedom of movement, Khaled was alert to the ways in which the U.S.–Mexico border informs the experiences of those who live on either side of it.

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“Wherever
his hand has lain there is
a tiny purple blemish. Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over—
or nothing.”

—	Queen-Anne’s-Lace, William Carlos Williams (via sketchofthepast)

Then there was someone else I met,

whose face and voice I can’t forget,

and the memory of her

is like a jail I’m trapped inside,

or maybe she is something I just use

to hold my real life at a distance.

Happiness, Joe says, is a wild red flower

plucked from a river of lava

and held aloft on a tightrope

strung between two scrawny trees

above a canyon

in a manic-depressive windstorm.

Don’t drop it, Don’t drop it, Don’t drop it—,

And when you do, you will keep looking for it

everywhere, for years,

while right behind you,

the footprints you are leaving

will look like notes

falling

Damiel;

It's great to live by the spirit, to testify day by day for eternity, only what's spiritual in people's minds. But sometimes I'm fed up with my spiritual existence. Instead of forever hovering above I'd like to feel a weight grow in me to end the infinity and to tie me to earth. I'd like, at each step, each gust of wind, to be able to say "Now." Now and now" and no longer "forever" and "for eternity." To sit at an empty place at a card table and be greeted, even by a nod. Every time we participated, it was a pretense. Wrestling with one, allowing a hip to be put out in pretense, catching a fish in pretense, in pretense sitting at tables, drinking and eating in pretense. Having lambs roasted and wine served in the tents out there in the desert, only in pretense. No, I don't have to beget a child or plant a tree but it would be rather nice coming home after a long day to feed the cat, like Philip Marlowe, to have a fever and blackended fingers from the newspaper, to be excited not only by the mind but, at last, by a meal, by the line of a neck by an ear. To lie! Through one's teeth. As you're walking, to feel your bones moving along. At last to guess, instead of always knowing. To be able to say "ah" and "oh" and "hey" instead of "yea" and "amen."

Catherine Hessling, La fille de l’eau, Jean Renoir, 1924.

secretfragileskies

Wednesday, January 25, 2017

Khaled's Ladder

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august

an altered space

“The world is airtight
yet held together
by what it does not house,
by the vanished. They are everywhere.”

Dead men make such convenient Heroes

falling

secretfragileskies

Wednesday, January 25, 2017

Khaled's Ladder

No comments:

august

an altered space

“The world is airtight yet held together by what it does not house, by the vanished. They are everywhere.”

Dead men make such convenient Heroes

falling

“The world is airtight
yet held together
by what it does not house,
by the vanished. They are everywhere.”