Saturday, September 12, 2015
Greetings from my Girlie Leisure Place
Greetings from @SharonMesmer's girlie leisure place. (Preorders will start this week. Stay tuned.) #bloof2015
Thursday, June 4, 2015
There isn’t any
The table was a large one, but the three were all crowded together at one corner of it: “No room! No room!” they cried out when they saw Alice coming. “There’s plenty of room!” said Alice indignantly, and she sat down in a large arm-chair at one end of the table.
“Have some wine,” the March Hare said in an encouraging tone.
Alice looked all round the table, but there was nothing on it but tea. “I don’t see any wine,” she remarked.
“There isn’t any,” said the March Hare.
image: COLETTE SAINT YVEStext: New Yorker
Sunday, May 24, 2015
the whole sky
Once Uncle Julian told me how the sculptor and painter Alberto Giacometti said that sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you’re limiting yourself at first, but after a while you realize that having a quarter-of-an-inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.
text: Nicole Krauss, The History of Love
image: Toward the Blue Peninsula, Joseph Cornell
1951-52 (120 Kb); Construction, 10 5/8 x 14 15/16 x 3 15/16 in; Collection Daniel Varenne, Geneva
Tuesday, May 19, 2015
A GLITTERING
One mourner says if I can just get through this year as if salvation comes in January.
Slow dance of suicides into the earth:
I see no proof there is anything else. I keep my obituary current, but believe that good times are right around the corner
Una grande scultura posse rotolare giù per una collina senza rompersi, Michelangelo is believed to have said (though he never did): To determine the essential parts of a sculpture, roll it down a hill. The inessential parts will break off.
That hill, graveyard of the inessential, is discovered by the hopeless and mistaken for the world just before they mistake themselves for David's white arms.
They are wrong. But to assume oneself essential is also wrong: a conundrum.
To be neither essential nor inessential - not to exist except as the object of someone's belief, like those good times lying right around the corner - is the only possibility.
Nothing, nobody matters.
And yet the world is full of love
Sunday, January 25, 2015
Why all this music?
To be alive: not just the carcass
But the spark.
That's crudely put, but . . .
If we're not supposed to dance,
Why all this music?
But the spark.
That's crudely put, but . . .
If we're not supposed to dance,
Why all this music?
Detail from Earth and Hell in "Apokaluptein."
Thursday, January 1, 2015
when everything else is gone
“Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”
― Rebecca Solnit, A Field Guide to Getting Lost
imagE
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