via: audreyhepburncomplex
Source: shescoastal
…fixed like a galaxy and memorized in her secret and fragile skies. Leonard Cohen


| — | Gerald Murnane, Inland (via invisiblestories) | image: mianoti: Rune Guneriussen |
| — | The Idiot by Fyodor Dostoyevsky |
Series: I see angels every day
One summer day of July 2001, I walked into the building of San Lázaro Psychiatric Hospital. This colonial building was made in 1751 as a house for poor, homeless, sick, mental illness, leprosy patients, and abandoned children. I was told its name, San Lázaro, came from Lázaro, who was a leprosy helper in the Bible. After changes of many years, it is now a three-story massive building standing on a steep hillside of the old colonial section of Quito, Ecuador. I heard about this hospital while I was working on another project in Ecuador, and since then something had been urging me to photograph there. I finally asked Trinidad, my good friend in Ecuador, to take me to the hospital. With its aged high white walls, I somehow imagined inside to be a bit of chaos, like the last scene of the movie “Amadeus”. But when I went inside, the first thing I saw was a courtyard, simple and peaceful with a fountain in the middle, and there were several people standing quietly. I wondered if they were patients. Mostly, I was surprised at the calmness. We went upstairs to the women’s section and entered a large room with evenly spaced beds lined up on both sides, and there were many patients. Some are walking around, and some are sitting on beds, while others are sleeping. As we walked by, a woman started to walk side by side with us. I see her eyes full of excitement and curiosity. She follows us around to the outside of the room and started to talk. She kept talking without stop and complained about her toothache every 5 minutes. When we were finally about to leave her, she said, “Do you see the angels? Have you seen the angels?” and she declared, “I see angels every day.”
Crime Without Passion (The Furies), 1934. Dir. Slavko Vorkapich.
| — | Paul Éluard (via invisiblestories, aperfectcommotion) |

Joni Mitchell, 1976
Photo by Joel Bernstein
Photoshoot by Thea Curtis
My understanding of the fundamental laws of the universe, said Albert Einstein, did not come out of my rational mind.mianoti:
(Source: catherinewillis reblogged mianoti: crashinglybeautiful + victoriazendo)
Image: Philippe Petit
via invisiblestories
Los Carpinteros, Untitled, 2009, Watercolor on paper, 29 3⁄4 x 44 inches, The Collection of Diane and Bruce Halle

| via: | catherinewillis: — | Saint Augustine (tnx chrbutler) | image: here |
Translated By Robert Hass
(via lived)
“You carry away with you a reflection of me, a part of me. I dreamed you; I wished for your existence. You will always be a part of my life. If I love you, it must be because we shared, at some moment, the same imaginings, the same madness, the same stage.”
— | Anaïs Nin (via elysskama) |

Now that he is safely dead,
Let us Praise him.
Now that he is safely dead,
Let us Praise him.
Build monuments to his glory.
Sing Hosannas to his name.
Dead men make such convenient Heroes.
They cannot rise to challenge the images
We would fashion from their Lives.
It is easier to build monuments
Than to make a better world.
So now that he is safely dead,
We, with eased consciences, will
Teach our children that he was a great man,
Knowing that the cause for which he
Lived is still a cause
And the dream for which he died
Is still a dream. (Hines 1987, 468).image; Banksy
HILDE DOMIN - SELECTED POEMS 2
Translated into English by Elke Heckel and Meg Taylor
“Wherever
his hand has lain there is
a tiny purple blemish. Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over—
or nothing.”
— | Queen-Anne’s-Lace, William Carlos Williams (via sketchofthepast) |

Doisneau
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
So I love you because I know no other way
Pablo Neruda
![[734523787_6c4359ce22_o.jpg]](http://www.secretfragileskies.com/4.bp.blogspot.com/_Nf4JRVgqGyU/SbZpaiG1-7I/AAAAAAAABH4/KjX-Y_EN7ao/s1600/734523787_6c4359ce22_o.jpg)
Speech after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.

We are afloat
On our dreams as on a barge made of ice,
Shot through with questions and fissures of starlight
That keep us awake, thinking about the dreams
As they are happening. Some occurrence
John Ashbery
![[clothesline.jpg]](http://www.secretfragileskies.com/4.bp.blogspot.com/_Nf4JRVgqGyU/SntkcPO6vfI/AAAAAAAABTk/oxR9ojF6kC8/s1600/clothesline.jpg)
The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
— Cormac McCarthy



"The weight of the world

It is a restless moment.
She has kept her head lowered,
to give him a chance to come closer.
But he could not, for lack of courage.
She turns and walks away.
That era has passed.
Nothing that belonged to it exists any more.

![[292216577_fb89fa71c7.jpg]](http://www.secretfragileskies.com/4.bp.blogspot.com/_Nf4JRVgqGyU/SWyo_ifX3kI/AAAAAAAAAk4/x9jtIDoLGpA/s1600/292216577_fb89fa71c7.jpg)
Speech after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.
Damiel;
It's great to live by the spirit, to testify day by day for eternity, only what's spiritual in people's minds. But sometimes I'm fed up with my spiritual existence. Instead of forever hovering above I'd like to feel a weight grow in me to end the infinity and to tie me to earth. I'd like, at each step, each gust of wind, to be able to say "Now." Now and now" and no longer "forever" and "for eternity." To sit at an empty place at a card table and be greeted, even by a nod. Every time we participated, it was a pretense. Wrestling with one, allowing a hip to be put out in pretense, catching a fish in pretense, in pretense sitting at tables, drinking and eating in pretense. Having lambs roasted and wine served in the tents out there in the desert, only in pretense. No, I don't have to beget a child or plant a tree but it would be rather nice coming home after a long day to feed the cat, like Philip Marlowe, to have a fever and blackended fingers from the newspaper, to be excited not only by the mind but, at last, by a meal, by the line of a neck by an ear. To lie! Through one's teeth. As you're walking, to feel your bones moving along. At last to guess, instead of always knowing. To be able to say "ah" and "oh" and "hey" instead of "yea" and "amen."
Catherine Hessling, La fille de l’eau, Jean Renoir, 1924.
Made4Aid now sells items through a new Etsy shop. GG will be featuring items from the shop this month & next.
"The weight of the world